Segovia, Spain



This first-year studio at IE University, led by Ainhoa Garmendia, Andrea Caruso Dalmas, and Taryn Mead, invited students to explore the deep connection between design, symbolism, and human experience through the creation of contemporary rituals. From ancient funeral rites, some of which predate modern humans, to personal or collective ceremonies, rituals have long helped societies mark transitions, confront impermanence, and give tangible form to the intangible.


Students examined how end-of-life rituals around the world express diverse understandings of death, memory, and transformation. They researched many global practices like the celestial burials of Tibet, where bodies are offered to birds as an act of spiritual generosity, and Ghana’s fantasy coffins, crafted in elaborate shapes that reflect the life or passion of the deceased. They also explored Japan’s Kotsuage ceremony, where family members use chopsticks to transfer bone fragments into an urn, and South Korea’s practice of compressing ashes into colorful memorial beads. These rites reveal how different cultures use ritual to express identity, belief, and the ties that bind a community.


Through research, critical reflection, material exploration and prototype manufacture, students designed performative rituals that responded to changing ideas about the body, the soul, and material possession. The course culminated in live performances where crafted objects, sound, and multisensory elements came together to create meaningful acts of symbolic transformation.


By questioning traditional rites and imagining new ones, this Design Studio encouraged students to see rituals as evolving expressions of belonging, memory, and human connection. In a world where both material and spiritual meanings are constantly shifting, design becomes a way to give form to the impermanence of life and the shared experience of transition.
In collaboration with: Ainhoa Germendia and Taryn Mead 
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